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Never Not Love You: A Review
Never Not Love You is a simple movie. It is quiet and still, letting its pauses speak louder than its lines. In its simplicity, truths are found - a lot of them almost too real, too painful to see unfold. But like a late-night motorcycle ride, coming to terms with these truths on-screen is joyful and scary all at the same time. It makes you feel terrified, but also, alive. It is not your typical Filipino romantic film but it is very much a typical Pinoy love story.
The premise boils down to the same essential question of how far we are willing to go for love. How much of yourself do you give up for the one you love, and how much of this sacrifice becomes a part of who you are?
Dreams are the driving force of this film. This is not a premise we haven’t seen before. We’ve seen it in La La Land, we’ve seen it in Sana Maulit Muli. In many ways, Never Not Love You asks the same questions. The ambiguity of a definitive answer, however, is what sets it apart.
We all know this story: a carefree man falls for a simple girl with big dreams. Joanne wants to be successful and provide for her family; Gio just wants to be happy. These two dreams are not mutually exclusive. But as we all know, they are not always within reach either, especially when the difficulties of life get in the way.
We all know this story: like most of us, they’re not chasing fame or money. They just want satisfaction in a job that gives them sustenance and stability. But with this comes a lot of sacrifice - sacrifice founded on commitment, but also sacrifice that can turn to resentment. Such is the problem that lies at this pragmatic take on a love story.
Two scenes worthy of comparison stand out out to me: one, when they were in Zambales, talking about their dreams, basking in the glow of sunlight - and in their love. This best encapsulates the giddy feeling of a first kiss, the exciting notion of seeing a glimpse of your future with someone. “I just want to be happy.” Don’t we all? It was said with so much optimism, so much carelessness, with no clue about what lies ahead. Kind of makes you remember the first time you talked to a great love about a future, a blurry image of a someday that may include each other.
And then we have that scene where they decide to “renew their vows,” i.e. have their ring finger tattoos re-inked. They were no longer the naive young adults who, on a whim, decided to live together and get matching tattoos. They have weathered years apart, pursued their dreams together and separately, evolved into people their old selves would not recognize. The look on their faces in the ending of the movie notwithstanding, this is a story of two people who made a commitment - and stuck to it. And this is where Never Not Love You strays from a typical romantic movie. Because instead of giving us a clear “Yep, it all ended well,” or “No, they went their separate ways,” - we get two people who made a choice. Is that choice out of love or out of convenience? Only life will tell. Who can say how love dictates our choices? After all, sometimes, choosing to stay is an act of love - one shaped by sacrifice and an understanding of how the years can tear away layers of affection. Besides, who is to rule out a kind of love that sighs, that looks tired, that feels weary? That belief is naive, as naive as telling someone “It’s so easy to be happy,” just after giving them a kiss. Life has thrown them shit, but they managed. Maybe, that’s enough affirmation.
Because this is a "LDR" movie, some beats are to be expected. Some parts of the narrative felt like they needed to be there just to establish the difficulties of being in such a relationship. The arguments felt real - but also, at times, repetitive. In some parts, I felt that the progression of their characters never fully came to fruition. Which is a shame, because I think the ending scene itself could have been more compelling had the lead up to it been less passive.
Nevertheless, the risks taken were reminders of what this movie was going for: not simply kilig, but realism. The truth that love is never constant. It can make you jaded. But just because it's tired doesn't mean it's gone.
So is this a movie about love, or is it about ambition? Never Not Love You tries to find a middle ground for both. Its narrative is built on trying to find a resolution, but never really getting one. As with most Jadaone projects, the characters try to find answers in the places where the story takes them. Whereas in La La Land, Los Angeles serves as the fantastic backdrop to the struggle between the two, here, the gloomy, overcast skies of London highlight the gloom of being away from what is comforting and familiar. Even the neon-lit streets of Makati and fluorescent glow of 7-11 visually underscores how fleeting some pleasures can be, and how joy is not always found in what is temporary.
My favorite scene highlights what I love best about the movie and the questions it dared to ask: after a long day at work, Joanne receives a video call from Gio, who is walking by the Thames River. He asks a Pinay street performer to sing Sugarfree’s “Prom” - their song - for Joanne. This isn’t the first time we hear the song in the movie, but this time, we hear it differently than the first. The characters are no longer nestled comfortably into each other’s arms, no longer racing through the road with only their helmets and each other. They are separated by time zones, in cities that hold no assurances but bustles with promise. And yet, they somehow find a way to walk to and from work together, hypothetically holding hands, engrossed in the same song. We’ve seen this before, we’ve been in this before: missing someone so badly and trying so hard to close that distance. It hit the chord right by bringing on the screen something realistic to all of us: the struggle of aspiring for dreams and the sacrifice of our loved ones to help get us there.
It’s charming how the choice of song, “Prom” is one that evokes memories of high school. Of youth. Of hopeful longing. Far from being a mere cliched rom-com vehicle, Never Not Love You is a film that explores the reality of navigating the consequences of our decisions, as young people and eventually as adults, be it out of love or out of ambition. “Matapos man ang sayaw / pangakong ‘di ka bibitaw,” so goes the closing lines of the song. This might be a bit too on the nose, but it sends the message: love is a choice. It fades, it changes. But who is to say that a weathered love is any less real?
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Never Not Love You: A Review
Never Not Love You is a simple movie. It is quiet and still, letting its pauses speak louder than its lines. In its simplicity, truths are found - a lot of them almost too real, too painful to see unfold. But like a late-night motorcycle ride, coming to terms with these truths on-screen is joyful and scary all at the same time. It makes you feel terrified, but also, alive. It is not your typical Filipino romantic film but it is very much a typical Pinoy love story.
The premise boils down to the same essential question of how far we are willing to go for love. How much of yourself do you give up for the one you love, and how much of this sacrifice becomes a part of who you are?
Dreams are the driving force of this film. This is not a premise we haven’t seen before. We’ve seen it in La La Land, we’ve seen it in Sana Maulit Muli. In many ways, Never Not Love You asks the same questions. The ambiguity of a definitive answer, however, is what sets it apart.
We all know this story: a carefree man falls for a simple girl with big dreams. Joanne wants to be successful and provide for her family; Gio just wants to be happy. These two dreams are not mutually exclusive. But as we all know, they are not always within reach either, especially when the difficulties of life get in the way.
We all know this story: like most of us, they’re not chasing fame or money. They just want satisfaction in a job that gives them sustenance and stability. But with this comes a lot of sacrifice - sacrifice founded on commitment, but also sacrifice that can turn to resentment. Such is the problem that lies at this pragmatic take on a love story.
Two scenes worthy of comparison stand out out to me: one, when they were in Zambales, talking about their dreams, basking in the glow of sunlight - and in their love. This best encapsulates the giddy feeling of a first kiss, the exciting notion of seeing a glimpse of your future with someone. “I just want to be happy.” Don’t we all? It was said with so much optimism, so much carelessness, with no clue about what lies ahead. Kind of makes you remember the first time you talked to a great love about a future, a blurry image of a someday that may include each other.
And then we have that scene where they decide to “renew their vows,” i.e. have their ring finger tattoos re-inked. They were no longer the naive young adults who, on a whim, decided to live together and get matching tattoos. They have weathered years apart, pursued their dreams together and separately, evolved into people their old selves would not recognize. The look on their faces in the ending of the movie notwithstanding, this is a story of two people who made a commitment - and stuck to it. And this is where Never Not Love You strays from a typical romantic movie. Because instead of giving us a clear “Yep, it all ended well,” or “No, they went their separate ways,” - we get two people who made a choice. Is that choice out of love or out of convenience? Only life will tell. Who can say how love dictates our choices? After all, sometimes, choosing to stay is an act of love - one shaped by sacrifice and an understanding of how the years can tear away layers of affection. Besides, who is to rule out a kind of love that sighs, that looks tired, that feels weary? That belief is naive, as naive as telling someone “It’s so easy to be happy,” just after giving them a kiss. Life has thrown them shit, but they managed. Maybe, that’s enough affirmation.
Because this is a "LDR" movie, some beats are to be expected. Some parts of the narrative felt like they needed to be there just to establish the difficulties of being in such a relationship. The arguments felt real - but also, at times, repetitive. In some parts, I felt that the progression of their characters never fully came to fruition. Which is a shame, because I think the ending scene itself could have been more compelling had the lead up to it been less passive.
Nevertheless, the risks taken were reminders of what this movie was going for: not simply kilig, but realism. The truth that love is never constant. It can make you jaded. But just because it's tired doesn't mean it's gone.
So is this a movie about love, or is it about ambition? Never Not Love You tries to find a middle ground for both. Its narrative is built on trying to find a resolution, but never really getting one. As with most Jadaone projects, the characters try to find answers in the places where the story takes them. Whereas in La La Land, Los Angeles serves as the fantastic backdrop to the struggle between the two, here, the gloomy, overcast skies of London highlight the gloom of being away from what is comforting and familiar. Even the neon-lit streets of Makati and fluorescent glow of 7-11 visually underscores how fleeting some pleasures can be, and how joy is not always found in what is temporary.
My favorite scene highlights what I love best about the movie and the questions it dared to ask: after a long day at work, Joanne receives a video call from Gio, who is walking by the Thames River. He asks a Pinay street performer to sing Sugarfree’s “Prom” - their song - for Joanne. This isn’t the first time we hear the song in the movie, but this time, we hear it differently than the first. The characters are no longer nestled comfortably into each other’s arms, no longer racing through the road with only their helmets and each other. They are separated by time zones, in cities that hold no assurances but bustles with promise. And yet, they somehow find a way to walk to and from work together, hypothetically holding hands, engrossed in the same song. We’ve seen this before, we’ve been in this before: missing someone so badly and trying so hard to close that distance. It hit the chord right by bringing on the screen something realistic to all of us: the struggle of aspiring for dreams and the sacrifice of our loved ones to help get us there.
It’s charming how the choice of song, “Prom” is one that evokes memories of high school. Of youth. Of hopeful longing. Far from being a mere cliched rom-com vehicle, Never Not Love You is a film that explores the reality of navigating the consequences of our decisions, as young people and eventually as adults, be it out of love or out of ambition. “Matapos man ang sayaw / pangakong ‘di ka bibitaw,” so goes the closing lines of the song. This might be a bit too on the nose, but it sends the message: love is a choice. It fades, it changes. But who is to say that a weathered love is any less real?
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She's a modern lover; it's an exploration, she's made of outer space
Hello, I'm Karla Bernardo. If you Google my name, you will find the Wikipedia entry of a Canadian serial-killer (and trust me, you do not want
to read about that - but I'm sure you will because now you're curious), which is why I suggest you type Bombastarr instead so you can stalk me better.
I spent eight-and-a-half years of my life in the University of the Philippines, where I graduated with degrees in Creative Writing and Juris Doctor. It is also where I learned how to speak a bit of Italian, got a taste of the best tapsilog, and took striptease for PE.
I love telling stories, as much as I enjoy finding them.
____Want more?
Featured Works
Stargirl ( Cover story for Nadine Lustre, Scout, January-February 2017)
Surreal / So Real (at Scout)
Ode to a Great Love's 17-year-old Self ( Love.Life, Philippine Daily Inquirer)
Postcard from Diliman
( Youngblood, Philippine Daily Inquirer)
Writer for Philippine Law Register
A Call to Arms (January 2017)
Expecting the Expected (March 2016)
Former Writer for Stache Magazine
The Hero's Journey (June 2013)
The 8 People You Become In Your Youth (June 2013)
The Best Bad Idea That Is Argo (April 2013)
Mike Ross Remembers Everything You Don't (August 2012)
Style Between the Riffs (August 2012)
Book Lovers Never Sleep Alone (June 2012)
A Spectrum of Change (December 2011)
Digital Art (October 2011)
Elements of Style (June 2011)
In Her White Dress (All-Art April 2011 issue)
Morning After Pill ( Fervore: Literary Folio 2013, UP Portia Sorority)
How To Make a Blueberry Cheesecake ( Kalas: Kalasag Literary Folio 2011, UP College of Arts and Letters)
January 14th ( 100: The Hundreds Project, UP Writer's Club)
An Ode to The
Pillow Book (at New-Slang)
Introductions (at TeenInk)
One by One (at TeenInk)
Ask, and you shall be answered
Got a comment, question, violent reaction, love letter, or random piece of information you want to share with me? Just fire away. I don't bite.
(I changed my form and went back to Freedback because Ask.fm's being a bitch, requiring people to sign up for accounts before asking questions. Because I love you guys, I tweaked my ask box a bit, so that the questions will now go directly to my e-mail, but I'll be posting the answers still on my Ask.fm for convenience. TL;DR - I'll still be getting your questions so no worries. You're still free to harass me / send me your love.)
Answers
Most Frequently Asked QuestionAre you a pornstar?No, I am not a pornstar, stripper, or your friendly neighborhood call girl. It's just a fancy pseudonym with a long history, and two R's. Rawr.
Bombastarr.com
Bombastarr is my personal blog and my little corner in the Internet since 2005. Yes, I started writing here when I was 13 years old (aka when I was very angsty, hormonal, and always gushing at the littlest things) -- ergo, you'd have to forgive me if you come across an old post that reeks of immaturity and slightly unpolished grammar. I did a lot of growing up here, and from the looks of it, there's still a lot of growing up to do, so I don't think I'll be leaving this place any time soon.
The domain, Bombastarr.com, was purchased on June 2014 and
launched on July 2014, on the blog's ninth year (and fifth month, to be exact).
It's crazy to think that this blog is now thirteen years old, because (1) that seems like an eternity in internet years, and (2) that means if my blog were a kid, it's a teenager! That's insane.
Here's to more tales, explosive and otherwise.
So, why Bombastarr?
If you've been living under a rock and think I'm a threat to world peace or an object of covetousness, sorry to disappoint you, folks: it's just a fancy pseudonym.
As in most things, it started in high school. It began as a joke between me and a couple of friends during our freshman year. We were practicing for a field demonstration dance which involved the use of shawls, and being the crazy-always-trying-to-be-funny person that I was (or I always attempted to be) I started doing poses with the garment. Someone started taking my picture using my phone, and one shot looked like I was posing for those B-list movies (or should it be R-list, as in R-rated?) of the vegetable-nomenclature variety. #IKYWIM. Hence, the word, "Bombastarr." Yes, very cheeky, I know, but for a 13-year-old, it was quirky enough to figure as a username. That was 2005, right around the time I trying to decide on a URL for a new blog. It's been a lot of years since, and what started as a joke became something I've eventually embraced as an identity.
Despite the many other chances I've gotten to permanently move (to Multiply, Livejournal, Tumblr, Wordpress; to a bigger platform where I can earn or use the blog as a venue for commerce), I've come to realize that Bombastarr is something I can never truly leave behind. It is a place I've grown to appreciate and love because it is a place I can call my own. It's a venue for my rants, my views, my writing. It is home, and it is who I am.
Bombastarr is a glimpse of my life: the thoughts, ideas, and stories that shape it into what it is, and what it will still become. This journal has been with me for all my crazy, often embarrassing adventures, but I'm sure there will be more anecdotes and feelings and people to write about. Which is something I'm really looking forward to. After all, you know what they say about the greatest stories - sometimes, there's still a lot that's left unwritten.
Credits and thank you's
This blog is hosted by PhilHosting.net, and powered by Blogger. The layout is coded entirely by me.
Photo hosting: TinyPic, Photobucket
Question box: EmailMeForm, Ask.fm
Copyright © BOMBASTARR
Elsewhere, she wanders
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