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Creative nonfiction.
One of my most favorite subjects this sem was Nonfiction (CL115). It's the literature prerequisite for one of the CW genres I've chosen to pursue, Creative Nonfiction (CW140 and CW141) It was exciting for me not only because it did not require too much output from us but because we got into so many discussions about the definitions of nonfiction and particularly the essay. We discussed two anthologies, Creative Nonfiction: A Reader by Cristina Pantoja-Hidalgo and The Lost Origins of the Essay by John D'Agata. The first one was more spot-on in terms of its objectives because it presented us with works by Filipino authors of essays that we know of today. They all followed the archetypal standard of beginning-middle-end, all were paragraphs put together, and all of them had some sort of conclusion in the end. Our discussions on that one were mostly on the objectivity on some of the essays and the labels Hidalgo used on them in the Table of Contents (she divided the entire book into Reportage, Feature Essays, Travel Essays, etc) Most of the questions revolved around how effective the labels were or how fair the authors were in executing their goals as they write their piece. They were rather typical discussions in a nonfiction class, I believe.
And then we moved on to The Lost Origins and everything was just shattered completely. The first impression the title would have on you would be a presentation of a history of the genre, and that is what it is initially. We were given the first kinds of "nonfiction" that began as a list of financial activities during the ancient times -- mostly for commerce and practicality rather than art. But as we moved along the centuries, we were presented by odd hallucinations, typography, imagined stories, and even poetry. That's when lines started getting blurred and big questions begged to be asked: What is creative nonfiction? Isn't it supposed to be true? Are you telling us what we learned in high school about the essay is wrong? The definitions have been overturned making it difficult to grasp what it truly is. (And consequently, making it difficult for us to come up with our own.)
I'm turning 19 in a few days. I believe I'm at this point in my life where I'm desperately seeking for confirmation on everything -- I need the definitions. I need the answers. Am I doing it right? Have I done something worth remembering? Where am I going? All these things constantly linger in my thoughts. It's a never-ending cycle of trying to be someone we want to be. We want to define ourselves because it will give us some sort of stable ground as we play the role of being this self everyday. No matter how rebellious we claim ourselves to be, having these lines drawn for us help us establish the sense of identity because around these lines, we can create what we are or are not. Without them, where do we even start?
Our CL115 prof (who is way beyond cool and is very hot, just saying) just sent us back our final projects with her comments. I cringe every time I reread things I've written especially for school because I feel like it's not as candid as say, a blog entry; it's more academic or scholarly than Karla-esque. But as I was skimming down through the lines, I noticed one part she highlighted towards the end: In drawing the lines we are establishing something that it is, and is not – and maybe that is the point. The essay isn’t something that should just be or not be, perhaps it is both. It is a celebration of the questioning, the searching, the hunt. So let us revel in this pursuit, and surprise ourselves with where it leads us. It is funny that it made more sense to me now than when I was writing it. It's even funnier that it took Karla-of-a-week-ago to make Karla-of-the-present realize something about myself. I've been having doubts about myself for the last few days or so because 19 sounds so old -- it's my last teen year! It's like by this time I should have at least found the answers to most of my questions. I haven't. And I'm freaking out because maybe I don't deserve to be 19 just yet. (And not just because I've been mistaken as a 14-year-old girl two weeks ago.) I haven't evolved enough to be 19 yet. I'm not even sure if I know what being 18 is -- having a boyfriend? Getting to vote at the elections? Learning how to handle alcohol? Staying up late? It is hard to define.
So what is 19 anyway? How can I be 19? Where does 19 happen?
I don't know. And I'll probably never know (yet). Right now, just one thing is for sure. When happens next Tuesday. Whether I'm ready or not, it's going to be there. So maybe I'll just let the year unfold before me as it defines itself. Maybe I'll find it at home, or in my bed, or in the classroom, or in the car. Maybe I won't. Maybe 19 is about the questions, the search.
Maybe 19 is about the maybes. Let's see.
________________________________________________________________
Creative nonfiction.
One of my most favorite subjects this sem was Nonfiction (CL115). It's the literature prerequisite for one of the CW genres I've chosen to pursue, Creative Nonfiction (CW140 and CW141) It was exciting for me not only because it did not require too much output from us but because we got into so many discussions about the definitions of nonfiction and particularly the essay. We discussed two anthologies, Creative Nonfiction: A Reader by Cristina Pantoja-Hidalgo and The Lost Origins of the Essay by John D'Agata. The first one was more spot-on in terms of its objectives because it presented us with works by Filipino authors of essays that we know of today. They all followed the archetypal standard of beginning-middle-end, all were paragraphs put together, and all of them had some sort of conclusion in the end. Our discussions on that one were mostly on the objectivity on some of the essays and the labels Hidalgo used on them in the Table of Contents (she divided the entire book into Reportage, Feature Essays, Travel Essays, etc) Most of the questions revolved around how effective the labels were or how fair the authors were in executing their goals as they write their piece. They were rather typical discussions in a nonfiction class, I believe.
And then we moved on to The Lost Origins and everything was just shattered completely. The first impression the title would have on you would be a presentation of a history of the genre, and that is what it is initially. We were given the first kinds of "nonfiction" that began as a list of financial activities during the ancient times -- mostly for commerce and practicality rather than art. But as we moved along the centuries, we were presented by odd hallucinations, typography, imagined stories, and even poetry. That's when lines started getting blurred and big questions begged to be asked: What is creative nonfiction? Isn't it supposed to be true? Are you telling us what we learned in high school about the essay is wrong? The definitions have been overturned making it difficult to grasp what it truly is. (And consequently, making it difficult for us to come up with our own.)
I'm turning 19 in a few days. I believe I'm at this point in my life where I'm desperately seeking for confirmation on everything -- I need the definitions. I need the answers. Am I doing it right? Have I done something worth remembering? Where am I going? All these things constantly linger in my thoughts. It's a never-ending cycle of trying to be someone we want to be. We want to define ourselves because it will give us some sort of stable ground as we play the role of being this self everyday. No matter how rebellious we claim ourselves to be, having these lines drawn for us help us establish the sense of identity because around these lines, we can create what we are or are not. Without them, where do we even start?
Our CL115 prof (who is way beyond cool and is very hot, just saying) just sent us back our final projects with her comments. I cringe every time I reread things I've written especially for school because I feel like it's not as candid as say, a blog entry; it's more academic or scholarly than Karla-esque. But as I was skimming down through the lines, I noticed one part she highlighted towards the end: In drawing the lines we are establishing something that it is, and is not – and maybe that is the point. The essay isn’t something that should just be or not be, perhaps it is both. It is a celebration of the questioning, the searching, the hunt. So let us revel in this pursuit, and surprise ourselves with where it leads us. It is funny that it made more sense to me now than when I was writing it. It's even funnier that it took Karla-of-a-week-ago to make Karla-of-the-present realize something about myself. I've been having doubts about myself for the last few days or so because 19 sounds so old -- it's my last teen year! It's like by this time I should have at least found the answers to most of my questions. I haven't. And I'm freaking out because maybe I don't deserve to be 19 just yet. (And not just because I've been mistaken as a 14-year-old girl two weeks ago.) I haven't evolved enough to be 19 yet. I'm not even sure if I know what being 18 is -- having a boyfriend? Getting to vote at the elections? Learning how to handle alcohol? Staying up late? It is hard to define.
So what is 19 anyway? How can I be 19? Where does 19 happen?
I don't know. And I'll probably never know (yet). Right now, just one thing is for sure. When happens next Tuesday. Whether I'm ready or not, it's going to be there. So maybe I'll just let the year unfold before me as it defines itself. Maybe I'll find it at home, or in my bed, or in the classroom, or in the car. Maybe I won't. Maybe 19 is about the questions, the search.
Maybe 19 is about the maybes. Let's see.
________________________________________________________________
She's a modern lover; it's an exploration, she's made of outer space
Hello, I'm Karla Bernardo. If you Google my name, you will find the Wikipedia entry of a Canadian serial-killer (and trust me, you do not want
to read about that - but I'm sure you will because now you're curious), which is why I suggest you type Bombastarr instead so you can stalk me better.
I spent eight-and-a-half years of my life in the University of the Philippines, where I graduated with degrees in Creative Writing and Juris Doctor. It is also where I learned how to speak a bit of Italian, got a taste of the best tapsilog, and took striptease for PE.
I love telling stories, as much as I enjoy finding them.
____Want more?
Featured Works
Stargirl ( Cover story for Nadine Lustre, Scout, January-February 2017)
Surreal / So Real (at Scout)
Ode to a Great Love's 17-year-old Self ( Love.Life, Philippine Daily Inquirer)
Postcard from Diliman
( Youngblood, Philippine Daily Inquirer)
Writer for Philippine Law Register
A Call to Arms (January 2017)
Expecting the Expected (March 2016)
Former Writer for Stache Magazine
The Hero's Journey (June 2013)
The 8 People You Become In Your Youth (June 2013)
The Best Bad Idea That Is Argo (April 2013)
Mike Ross Remembers Everything You Don't (August 2012)
Style Between the Riffs (August 2012)
Book Lovers Never Sleep Alone (June 2012)
A Spectrum of Change (December 2011)
Digital Art (October 2011)
Elements of Style (June 2011)
In Her White Dress (All-Art April 2011 issue)
Morning After Pill ( Fervore: Literary Folio 2013, UP Portia Sorority)
How To Make a Blueberry Cheesecake ( Kalas: Kalasag Literary Folio 2011, UP College of Arts and Letters)
January 14th ( 100: The Hundreds Project, UP Writer's Club)
An Ode to The
Pillow Book (at New-Slang)
Introductions (at TeenInk)
One by One (at TeenInk)
Ask, and you shall be answered
Got a comment, question, violent reaction, love letter, or random piece of information you want to share with me? Just fire away. I don't bite.
(I changed my form and went back to Freedback because Ask.fm's being a bitch, requiring people to sign up for accounts before asking questions. Because I love you guys, I tweaked my ask box a bit, so that the questions will now go directly to my e-mail, but I'll be posting the answers still on my Ask.fm for convenience. TL;DR - I'll still be getting your questions so no worries. You're still free to harass me / send me your love.)
Answers
Most Frequently Asked QuestionAre you a pornstar?No, I am not a pornstar, stripper, or your friendly neighborhood call girl. It's just a fancy pseudonym with a long history, and two R's. Rawr.
Bombastarr.com
Bombastarr is my personal blog and my little corner in the Internet since 2005. Yes, I started writing here when I was 13 years old (aka when I was very angsty, hormonal, and always gushing at the littlest things) -- ergo, you'd have to forgive me if you come across an old post that reeks of immaturity and slightly unpolished grammar. I did a lot of growing up here, and from the looks of it, there's still a lot of growing up to do, so I don't think I'll be leaving this place any time soon.
The domain, Bombastarr.com, was purchased on June 2014 and
launched on July 2014, on the blog's ninth year (and fifth month, to be exact).
It's crazy to think that this blog is now thirteen years old, because (1) that seems like an eternity in internet years, and (2) that means if my blog were a kid, it's a teenager! That's insane.
Here's to more tales, explosive and otherwise.
So, why Bombastarr?
If you've been living under a rock and think I'm a threat to world peace or an object of covetousness, sorry to disappoint you, folks: it's just a fancy pseudonym.
As in most things, it started in high school. It began as a joke between me and a couple of friends during our freshman year. We were practicing for a field demonstration dance which involved the use of shawls, and being the crazy-always-trying-to-be-funny person that I was (or I always attempted to be) I started doing poses with the garment. Someone started taking my picture using my phone, and one shot looked like I was posing for those B-list movies (or should it be R-list, as in R-rated?) of the vegetable-nomenclature variety. #IKYWIM. Hence, the word, "Bombastarr." Yes, very cheeky, I know, but for a 13-year-old, it was quirky enough to figure as a username. That was 2005, right around the time I trying to decide on a URL for a new blog. It's been a lot of years since, and what started as a joke became something I've eventually embraced as an identity.
Despite the many other chances I've gotten to permanently move (to Multiply, Livejournal, Tumblr, Wordpress; to a bigger platform where I can earn or use the blog as a venue for commerce), I've come to realize that Bombastarr is something I can never truly leave behind. It is a place I've grown to appreciate and love because it is a place I can call my own. It's a venue for my rants, my views, my writing. It is home, and it is who I am.
Bombastarr is a glimpse of my life: the thoughts, ideas, and stories that shape it into what it is, and what it will still become. This journal has been with me for all my crazy, often embarrassing adventures, but I'm sure there will be more anecdotes and feelings and people to write about. Which is something I'm really looking forward to. After all, you know what they say about the greatest stories - sometimes, there's still a lot that's left unwritten.
Credits and thank you's
This blog is hosted by PhilHosting.net, and powered by Blogger. The layout is coded entirely by me.
Photo hosting: TinyPic, Photobucket
Question box: EmailMeForm, Ask.fm
Copyright © BOMBASTARR
Elsewhere, she wanders
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